On September 29th, the “Calligraphy and Painting Community – Forging the Awareness of the Chinese National Community Calligraphy and Painting Exhibition” opened at the China Women and Children’s Museum. This calligraphy and painting exhibition is guided by the Beijing Ethnic and Religious Affairs Commission and hosted by the Beijing Ethnic Unity and Progress Promotion Center.
On September 29th, at the opening ceremony of the “Calligraphy and Painting Community – Forging a Strong Awareness of the Chinese National Community Calligraphy and Painting Exhibition”. Image provided by Beijing Ethnic Unity and Progress Promotion Center
The over a hundred works exhibited in this exhibition are divided into three chapters: “Common Roots and Prosperity”, “Four Seas and Painting Together”, and “Harmony and Coexistence”. Qi Gong’s “Long Scroll of National Unity Painting and Calligraphy”, Shen Peng’s “Passing through the Hometown of Zhaojun”, Ouyang Zhongshi’s “Ten Thousand Folk Music Sonata”, Liu Bingsen’s “Unity, Branches, Each Glory”, Han Meilin’s “Running Bull”… These precious paintings and calligraphy works are dazzling.
The work presents vivid images of various ethnic groups uniting and advancing hand in hand through unique artistic perspectives and techniques, guiding them to experience the artistic charm of traditional calligraphy and painting, and effectively forging a sense of community for the Chinese nation.
The exhibition presents original calligraphy and painting works in a digital format, allowing visitors to experience a five sensory experiential calligraphy and painting exhibition that combines visual, auditory, tactile, olfactory, and artistic conception. The audience expressed that they had gained a viewing experience similar to that of a person swimming in a painting.
It is reported that the “Calligraphy and Painting Community – Forging the Awareness of the Chinese National Community Calligraphy and Painting Exhibition” will continue to be exhibited until October 28th.